方丈
Main Hall
会場
Venue
方丈
Main Hall
展示作品 No. 1 | 2 | 3
Exhibited Works: No. 1 | 2 | 3
絹の両面に金箔を貼り、その上に水に近い薄墨で描いている。左右の間の長押からこの金色の「Khora」を垂下した。御本尊に対する脇侍とも捉えられる。堂内に風が吹くと「Khora」は揺れ、輝きも変化していく。
Gold leaf is applied to both sides of the silk, and a pale ink, almost like water, is used to paint over it. This golden "Khora" is suspended from the nageshi (horizontal beam) between the left and right sides. It can also be perceived as a flanking attendant to the principal deity. When the wind flows through the hall, the "Khora" sways, and its radiance shifts accordingly.
長谷川等伯の《山水図》の複製画の横に「Khora」を添えた。先達への敬意と挑戦の場所となった。
The "Khora" was placed alongside a reproduction of Hasegawa Tōhaku's Landscape Painting. It became a space of both reverence for the master and a challenge to his legacy.
作品リスト
Works List
タイトル
Title
制作年
Year
サイズ
Size
素材
Material
金箔、墨、絹
Gold leaf, ink, silk
金箔、墨、絹
Gold leaf, ink, silk
アルミ泥、墨、和紙
Aluminum powder, ink, Japanese paper
会場一覧
Venues List